We open with a mini-crisis. A certificate has been wrenched rather violently from the living-room wall, and the hook on the back has fallen off. Fortunately it’s not a real certificate, or indeed a real living-room wall – just part of the set for a play called Mitad y Mitad (translating as ‘Fifty-Fifty’, which is how the inheritance in the play is to be divided), being staged at...
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